When I tell you a story, whatever it is about, I am telling you about myself, my culture, my beliefs, my politics, my issues. The story may not sound like it is about me- but if I picked it, the fact that I am telling it, says something about me, who I am, and where I come from. The way I tell it may say even more. Have you ever noticed that some people, when they tell a story, what ever it is about, manage to make it mostly about themselves?
Everyone has stories. Stories pass on information, a worldview, a way of living.
You’ve heard the comment that history is told by the winners. The stories that get preserved, tell us something about the dominant culture, and what it values. The stories I learned as history, about the creation of Canada as a nation, were usually about brave and adventurous European discoverers, coming to a vast, untamed, and largely vacant land. The fact that there were communities, civilizations, nations long established here was never the focus of the story.
It reminds me of the way Sir Edmund Hilary is described as the first person to climb Mount Everest. He was the white guy, a beekeeper from New Zealand. How many of us can name the man who made the final ascent with him?
Tenzing Norgay was Hillary’s Sherpa guide. But Hillary and Norgay wouldn’t have got anywhere near the top of Everest by themselves. They were members of an expedition that included a dozen climbers, 35 Sherpa guides, and 350 porters, who carried the 18 tons of food and equipment needed for the climb.
We usually only hear part of the story, and what part gets chosen, tells you something about those who choose, and tell the stories. My favourite part of Edmund Hillary’s story is that 7 years after his famous climb of Mount Everest, he led another Himalayan expedition, sponsored by the World Book Encyclopaedia, in search of the Abominable Snowman. They did not find each other, but that’s a whole other story.
I grew up minutes away from the Fort William First Nation, on the edge of Thunder Bay, and never heard stories from that community, even though its history goes back a lot further than that of the Europeans who settled in Northern Ontario. It was as if the history of Canada, of this whole continent, began when white men arrived on its shores.
When the government of Canada decided to dismantle the culture and traditions of the First Nations people, they took the children, many against their will, and without parental consent, to places where they were not allowed to hear or speak the languages of their people. They were only allowed to hear, and speak English, and their traditional stories were replaced with the stories of the Bible, and with the same primers and textbooks used in white people’s schools.
Take away the language, you take away the stories. Take away the stories, and you take away cultural memory. That’s a very effective way to destroy a people. The goal was to solve the Indian Problem in Canada, by making the children into slightly darker skinned versions of white kids, so that they could be fit in, assimilated into mainstream, meaning white, Canadian society.
The stories we tell, and how we tell them, tell a story about us. The Bible has some kind of creation story in at least five different places. Over the weeks of the season of Creation we are hearing them. Last week we heard Psalm 8. This week our story comes from Genesis chapter 1. It’s the one that describes the Creator making everything over the course of 6 days, and then taking a rest day, to step back and enjoy it. In this story, before the Creator relaxes, they make humans, and then ask the humans to take care of the earth, and all that has been created, including all the creatures.
In our western culture we seem to have taken that part of the story about being caretakers, and upgraded ourselves from land managers, to owners. That was the attitude our forebears brought with them when they colonized and settled here in this part of the world. They used all their powers of persuasion, friendly and otherwise, to get title to the land, to claim it as their own.
In her book Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants, Robin Wall Kimmerer, who is a member of the Potowatami First Nation, wrote:
“In the settler mind, land was property, real estate, capital, or natural resources. But to our people, it was everything: identity, the connection to our ancestors, the home of our nonhuman kinfolk, our pharmacy, our library, the source of all that sustained us. Our lands were where our responsibility to the world was enacted, sacred ground. It belonged to itself; it was a gift, not a commodity, so it could never be bought or sold.”
Did you hear that? Really hear that? The land, the whole world viewed as a sacred gift from the Creator, meant for the good of all, and not to owned, or bought, or sold.
That is such a foreign, weird idea to most of us. It’s not the story we have been told, or that we tell about the world. It’s a story that was not easily compatible with the stories the White Europeans came here with, that shaped their view of the world, and how to live in it.
The Ojibwe’ story we heard about the creation of Turtle Island shows Sky Woman working together with the animals, to make a safe place for them all to live. It is a cooperative vision, not a competitive one. It is a story not about owning and exploiting the gifts of creation for profit and power, but of taking care of what has been given by the Creator, for the good of all.
I read a commentary on this story, that pointed out that the creation of Turtle Island depended upon the bravery and determination of the smallest water creature in the story. Muskrat risked their own life to dive deep, and bring up the bit of soil Sky Woman needed, to begin the making of the new place to live.
Muskrat had a story about themselves, that said they were not as capable or useful as the larger water animals, the beaver, the fisher, the marten, or the loon. But when all these larger, stronger creatures failed, the muskrat let go of their former, limiting story, and lived into a story that encouraged them to try, to stretch themselves, to risk giving themselves to something beyond themselves.
Wilika Matchweta Asimont, the woman who offered that commentary describes herself as a survivor of Canada’s First Nations boarding school legacy and foster care system. What stories about herself did she have to let go of, in order to make a life beyond all of that? What stories did she discover in new ways, to live into, in order to survive, and thrive, and be of help to others?
As a community of Jesus followers, we have a story that we tell over and over again, and act out, that is meant to tell us something about the world, and about the Creator, our relationship to the Creator, and to each other. It’s a story we hold sacred, sacred enough to call it the sacrament of communion.
When we share the sacrament today, and I say the words, I will also be listening deeply to the story, trying to go as deep into the story as little Muskrat, to get a hold of a little something, that will help build a world.
Hi Darrow, I hope that you are doing well. I find your reflections very inspiring. Lorne and I are doing well. Blessings, Roni
On Sun, Sep 19, 2021 at 8:11 PM Darrow Woods: Writer of Things wrote:
> Darrow posted: ” https://youtu.be/W-4rG8OPd3w When I tell you a story, > whatever it is about, I am telling you about myself, my culture, my > beliefs, my politics, my issues. The story may not sound like it is about > me- but if I picked it, the fact that I am telling it” >